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ACT ONE    (Click here to go to bottom of page for quick scene/song links)

 

MUSIC 6:                PRELUDE TO THE CRIMEAN WAR

 

 

 

MUSIC 1:                OVERTURE

 

(The musical opens with a timely reminder of the conditions of war that also claimed many lives... namely the eternal piercing wind, torrential rain, bitter cold and hypothermia. All these sounds are set against the constant, depressing din of musket and cannon fire. After 40 seconds of, 'Music 6: Prelude to the Crimean War', start 'Music 1: Overture' as the sounds fade.

 

During the Overture a solo voice (off) echoes the words that so often came to FLORENCE NIGHTINGALE in the dreams of her teenage years: "Florence, do you hear me calling? Florence, I have a dream."  The Overture finishes as scene one opens onto a street market in Romsey, Hampshire, in 1851)

The Overture -
00:00 / 00:00
Anchor 1A
6. Prelude To The Crimean War - Background Music
00:00 / 00:00

(The following dialogue is spoken over vamped music)

Me and the misses was thinking of going somewhere ‘ot this year

Did you have any particular country in mind?

Country? Country? We was thinking of joining the fire brigade. (Laughter)

I’M GLAD I’M NOT THE DAUGHTER OF A RICH MAN  (RICH MAN)

I COULDN’T LIVE WITH SUCH A GUILTY MIND
TO HAVE A MAID SO POORLY PAID
TO LIVE WITH GRACE AND FAVOUR

TO IDLE THROUGH GOD’S GIVEN LIFE

HOW WILL THEY MEET THEIR SAVIOUR?

 

SHE BELONGS TO THEM AND NOT TO US

THEY’RE A LAW UNTO THEMSELVES

DON’T RECOGNISE US
WE’RE WORLDS APART

OUR LIVES BEAT WITH DIFF’RENT HEARTS

AND SHE BELONGS TO THEM
AND NOT TO US (OH, NO)
WON’T RECOGNISE US (WHAT A SHAME)

NO TIME FOR US

NO TIME FOR US

                                              (Song ends)

I wonder what it must be like to be really rich?

Wot... you mean like the Nightingales? I don’t envy ‘em... not with that old dragon.

Yea. Mother Nightingale really rules the roost, don’t she. It’s (Mimics Fanny) “Come here, Parthe” (NORA runs up pretending to be Parthe. Straight into the song)

 

WHAT MOMMA SAYS GOES

 

(Talking over musical introduction) Stay there.

(Jumping) Yes, mother.

(Pointing) Sit down. (They all sit) Stand up. (They all stand) Jump. (They all jump)

(All move to a new position) Of course, mother.

Sit down. (They all sit)

Anything you say, mother.

Stand up. (They all stand) Come here.

Oh, right now, mother?

 

WHAT MOMMA SAYS GOES

WHERE SHE GOES, FLORENCE GOES TOO

WHAT MOMMA SAYS GOES... NO DOUBT ABOUT THAT

WHAT POPPA SAYS...

 

HE’S SO WEAK WHO CARES WHAT POPPA SAYS 

IT’S WHAT MOMMA SAYS GOES

NO DOUBT ABOUT THAT 

 

SHE’S TAKEN TO STAY BY THE SEINE
OR WITH FRIENDS DOWN IN FLORENCE THAT GAVE HER
HER NAME
SHE’S FIRMLY A PART OF SOCIETY
WHETHER SHE REALLY WANTS IT, HER MOTHER DEMANDS IT

MOTHER WEARS THE TROUSERS

 

WHAT MOMMA SAYS GOES... etc. (Repeat)

 

POOR FLORENCE, LIFE HASN’T BEGUN

SHE’S TIED TO HER MOTHER
THOUGH SHE’S THIRTY-ONE
SHE CAN’T FORM A LIFE OF HER OWN

SHE REFUSES TO MARRY

AND START UP HER OWN HOME

BUT IN THE MEANTIME

 

WHY DOESN'T SHE DO SOMETHING?

 

WE DON’T KNOW! 

 

WHY DOESN’T SHE FIGHT BACK HARD?

 

WE DON’T KNOW!

WHY DOESN’T SHE RUN AWAY?

 

 

WE DON’T KNOW!

WE ONLY KNOW WHAT MOMMA SAYS GOES!

 

SO YOU SEE, ALL THAT SHINES NEED NOT BE GOLD

THEY HAVE THEIR PROBLEMS TOO
YOU DON’T HAVE TO BE POOR

TO BE PUSHED AROUND

POOR FLO HAS TO DO AS SHE’S TOLD AS WELL

 

SO, WHAT MOMMA SAYS GOES

WHERE SHE GOES, FLORENCE GOES TOO

WHAT MOMMA SAYS GOES... NO DOUBT ABOUT THAT

WHAT POPPA SAYS...

 

HE’S SO WEAK WHO CARES WHAT POPPA SAYS 

IT’S WHAT MOMMA SAYS GOES

NO DOUBT ABOUT THAT. NO DOUBT ABOUT THAT

NO DOUBT ABOUT THAT. OH, YEA!

                                                   

                                                    (Song ends)

SCENE 1:         

BERT                  

LIZZIE                 

                            

FLORA                                                          

LIZZIE                 

FLORA                

PARTHE             

FANNY               

FLO                     

PARTHE             

NORA                 

HILDA                

PARTHE             

DOT                   

PARTHE             

FANNY               

PARTHE             

FANNY               

PARTHE             

FANNY              

 

FLO                    

JENNY              

 

LIZZIE                

JENNY               

JACK                 

JENNY               

 

HILDA                 

DOT                   

 

FLORA                

JENNY                

AGNES               

JACK                  

AGNES               

NORA                

 

FLORA              

 

 

BERT                  

SONG 2:       

 

 

BERT                  

STALL HOLDERS          

 

LIZZIE                

 

JACK 

 

 

 

 

STALL HOLDERS         

JACK                  

BERT                

JACK                  

DOT  

 

 

 

 

         

     

STALL HOLDERS       

 

 

 

 

 

 

 

 

 

DOT                   

HILDA                 

DOT                    

SONG 3:       

 

DOT                    

ALL                     

DOT                   

ALL                     

DOT                    

ALL                     

DOT                    

ALL                     

 

STALL HOLDERS          

(Group ‘A’)           

 

STALL HOLDERS          

(Group ‘B’)         

 

 

BERT                  
                           

 

JACK   

 

 

 

 

 

             

 

STALL HOLDERS

(Group 'A')  

 

STALL HOLDERS

(Group‘B’)    

 

STALL HOLDERS

(Group ’A’)      

 

STALL HOLDERS

(Group ‘B’)    

 

STALL HOLDERS

(Group ‘A’)     

 

STALL HOLDERS

(Group ‘B’) 

 

JACK 

 

 

 

               

 

STALL HOLDERS          

(Group ‘A’)         

   

                       

STALL HOLDERS         

(Group ‘B’)          

                           

                                                                    

Anchor 1
Anchor 2

A STREET MARKET IN 1851

 

Fresh veg! Best in the market!

(Loud distressing squawks as a child steals a live chicken)  ‘ere he’s nicking me chickens! Come ‘ere you little toe rag! If I get my hands on you, I’ll ring your ruddy neck! Constable! Constable! How is it you can never find a copper when ya need one?   (Frantically             searching around)  Stop him! Stop him! Somebody stop him.

You’ve got to ‘ave eyes in the back of your ‘ead Lizzie. That boy’s always stealing something. Needs putting over ‘is mother’s knee and given a good thrashing!

Times are gettin’ ‘ard Flora. That’s the second fing stolen today.

(Cynically)  Wot? Caw, make a stuffed bird laugh. We’ll ‘ave to ‘ave a collection. Come on

let’s speak to the others. (Stallholders gather around LIZZIE, comforting her. Enter             FLORENCE NIGHTINGALE, her sister PARTHE and their mother FANNY. Their maid     JENNY follows behind)

Momma, you know how I hate coming to the market.

Stop fussing Parthe. We won’t be here for very long. 

Don’t worry Parthe. No one is going to hurt you. 

But I’m not in the best of health.

(Offering FLO an apple)  Nice to see you Miss Nightingale. Buy some fresh fruit. Going very cheap. 

'ow about a nice lace ‘andkerchief. Please buy something off a poor lady.

Come away Flo.  Look at your hands. You don't know where all this stuff has been. This whole place smells horribly.

(Holding up a small posy of flowers to PARTHE)  This would go well with your fancy dress

missus. (PARTHE pushes the flower seller away)

Leave us alone. Oh Momma, why did you bring us here?

Be quiet. You’re creating a scene.

Oh look! That woman touched my dress. It’s left a horrible dirty mark. I will surely catch some terrible illness.

I said be quiet! We had better go to the park before you embarrass us further. Flo, will you and Jenny kindly finish the shopping. Come along Parthe and stop fussing.

But Momma. I want to stay with...

I said come along.

(Exit FANNY and PARTHE)

It’s no good Jenny. Parthe can’t stand being parted from me for too long. You go and finish the shopping. I’d better catch up my Momma.

Yes ma’am.

(Exit FLO)

Hey Jenny. The Nightingales gone and left you to do all the shopping have they?

Yes. I’m afraid so.

‘ere. ‘ave you got any interesting news about them?

I most certainly have. Listen everyone. Gather round. Mistress Florence and her sister Parthe had a terrible argument the other night.

They are always arguing about sumfink. Parthe will be the death of Florence.

Yea, you’re right Hilda. You’d think Florence was a slave. She looks after that spoilt brat day and night.

Flo’s so fed up. Some say she’s near to committing suicide.

We heard this row all over the house. I’m sure Mistress Nightingale wants to leave home. After all she is thirty-one years old now. I overheard her say something about wanting to work in a hospital.

Me ‘usband finished up in one of them places. Said there was ‘ardly room to swing a cat and the place stunk like a sewer. Slimy things growin’ all over the walls, ‘e said.

What happened to ‘im then Agnes?

‘e smuggled in a bottle of gin. ‘e and the nurses drank too much. ‘e got the screamin’ ‘orrors and ran off into the night. Never came back and I’ve never seen ‘im since.

Probably thinkin’ about you Agnes. That’s why ‘e never came back!

(General laughter)

‘ere, don’t them Nightingales talk posh. Did you see the look on ‘er face when Dot touched 'er with ‘er ‘and. (Mimics PARTHE) “Oh look, that woman touched my dress. It’s left a terrible dirty mark. I will surely catch some terrible illness.”

(Over musical introduction)  Worlds apart really, ain’t we! 

 

DAUGHTER OF A RICH MAN

 

 

 

FLORENCE IS THE DAUGHTER OF A RICH MAN (RICH MAN) 

SHE’S EXPECTED TO BEHAVE LIKE ALL THE UPPER CLASS

THEY’LL SMILE, WAVE, GIVE US WORK
ACKNOWLEDGE OUR EXISTENCE

BUT WHEN IT COMES TO JOINING IN
BE SURE THEY’LL KEEP THEIR DISTANCE

 

SHE BELONGS TO THEM AND NOT TO US

THEY’RE A LAW UNTO THEMSELVES DON’T RECOGNISE US
WE’RE WORLDS APART

OUR LIVES BEAT WITH DIFF’RENT HEARTS

AND SHE BELONGS TO THEM        
AND NOT TO US (OH, NO)
WON’T RECOGNISE US (WHAT A SHAME) 

NO TIME FOR US

(Stallholder mimics Sir Walter Raleigh laying down cloak for Queen Elizabeth I)

 

Call that a coat? (Derisory) Young man, I have no intention of walking on a pile of rags!

 

FLORENCE IS THE DAUGHTER OF A RICH MAN (RICH MAN) 

SHE’LL NEVER GRACE THE TABLE OF THE WORKING CLASS

THEY WINE, DINE, TOUR THE WORLD
BUT HIDE BEHIND DISGUISES

THEY’RE MONEY MAD AND CHERISHED GREED IS ALL THAT GOD DESPISES

02. Daughter Of A Rich Man -
00:00 / 00:00
03. What Momma Says Goes -
00:00 / 00:00

SHE BELONGS TO THEM AND NOT TO US... etc.  (Repeat)

Market day.  Enter traders setting up their stalls. People are buying goods. Children play games.

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Anchor 2A

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ACT ONE

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ACT ONE Scene 4                      

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                                             Page updated: 15 April 2024                       © Roger Holman Music

                                     Page updated: 3 March 2022                           © Roger Holman Music

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