
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
CHARACTERS IN EACH SCENE
CHARACTERS IN EACH SCENE
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music


©

ACT ONE (Click here to go to bottom of page for quick scene/song links)
MUSIC 6: PRELUDE TO THE CRIMEAN WAR
MUSIC 1: OVERTURE
(The musical opens with a timely reminder of the conditions of war that also claimed many lives... namely the eternal piercing wind, torrential rain, bitter cold and hypothermia. All these sounds are set against the constant, depressing din of musket and cannon fire. After 40 seconds of, 'Music 6: Prelude to the Crimean War', start 'Music 1: Overture' as the sounds fade.
During the Overture a solo voice (off) echoes the words that so often came to FLORENCE NIGHTINGALE in the dreams of her teenage years: "Florence, do you hear me calling? Florence, I have a dream." The Overture finishes as scene one opens onto a street market in Romsey, Hampshire, in 1851)
(The following dialogue is spoken over vamped music)
Me and the misses was thinking of going somewhere ‘ot this year
Did you have any particular country in mind?
Country? Country? We was thinking of joining the fire brigade. (Laughter)
I’M GLAD I’M NOT THE DAUGHTER OF A RICH MAN (RICH MAN)
I COULDN’T LIVE WITH SUCH A GUILTY MIND
TO HAVE A MAID SO POORLY PAID
TO LIVE WITH GRACE AND FAVOUR
TO IDLE THROUGH GOD’S GIVEN LIFE
HOW WILL THEY MEET THEIR SAVIOUR?
SHE BELONGS TO THEM AND NOT TO US
THEY’RE A LAW UNTO THEMSELVES
DON’T RECOGNISE US
WE’RE WORLDS APART
OUR LIVES BEAT WITH DIFF’RENT HEARTS
AND SHE BELONGS TO THEM
AND NOT TO US (OH, NO)
WON’T RECOGNISE US (WHAT A SHAME)
NO TIME FOR US
NO TIME FOR US
(Song ends)
I wonder what it must be like to be really rich?
Wot... you mean like the Nightingales? I don’t envy ‘em... not with that old dragon.
Yea. Mother Nightingale really rules the roost, don’t she. It’s (Mimics Fanny) “Come here, Parthe” (NORA runs up pretending to be Parthe. Straight into the song)
WHAT MOMMA SAYS GOES
(Talking over musical introduction) Stay there.
(Jumping) Yes, mother.
(Pointing) Sit down. (They all sit) Stand up. (They all stand) Jump. (They all jump)
(All move to a new position) Of course, mother.
Sit down. (They all sit)
Anything you say, mother.
Stand up. (They all stand) Come here.
Oh, right now, mother?
WHAT MOMMA SAYS GOES
WHERE SHE GOES, FLORENCE GOES TOO
WHAT MOMMA SAYS GOES... NO DOUBT ABOUT THAT
WHAT POPPA SAYS...
HE’S SO WEAK WHO CARES WHAT POPPA SAYS
IT’S WHAT MOMMA SAYS GOES
NO DOUBT ABOUT THAT
SHE’S TAKEN TO STAY BY THE SEINE
OR WITH FRIENDS DOWN IN FLORENCE THAT GAVE HER
HER NAME
SHE’S FIRMLY A PART OF SOCIETY
WHETHER SHE REALLY WANTS IT, HER MOTHER DEMANDS IT
MOTHER WEARS THE TROUSERS
WHAT MOMMA SAYS GOES... etc. (Repeat)
POOR FLORENCE, LIFE HASN’T BEGUN
SHE’S TIED TO HER MOTHER
THOUGH SHE’S THIRTY-ONE
SHE CAN’T FORM A LIFE OF HER OWN
SHE REFUSES TO MARRY
AND START UP HER OWN HOME
BUT IN THE MEANTIME
WHY DOESN'T SHE DO SOMETHING?
WE DON’T KNOW!
WHY DOESN’T SHE FIGHT BACK HARD?
WE DON’T KNOW!
WHY DOESN’T SHE RUN AWAY?
WE DON’T KNOW!
WE ONLY KNOW WHAT MOMMA SAYS GOES!
SO YOU SEE, ALL THAT SHINES NEED NOT BE GOLD
THEY HAVE THEIR PROBLEMS TOO
YOU DON’T HAVE TO BE POOR
TO BE PUSHED AROUND
POOR FLO HAS TO DO AS SHE’S TOLD AS WELL
SO, WHAT MOMMA SAYS GOES
WHERE SHE GOES, FLORENCE GOES TOO
WHAT MOMMA SAYS GOES... NO DOUBT ABOUT THAT
WHAT POPPA SAYS...
HE’S SO WEAK WHO CARES WHAT POPPA SAYS
IT’S WHAT MOMMA SAYS GOES
NO DOUBT ABOUT THAT. NO DOUBT ABOUT THAT
NO DOUBT ABOUT THAT. OH, YEA!
(Song ends)
SCENE 1:
BERT
LIZZIE
FLORA
LIZZIE
FLORA
PARTHE
FANNY
FLO
PARTHE
NORA
HILDA
PARTHE
DOT
PARTHE
FANNY
PARTHE
FANNY
PARTHE
FANNY
FLO
JENNY
LIZZIE
JENNY
JACK
JENNY
HILDA
DOT
FLORA
JENNY
AGNES
JACK
AGNES
NORA
FLORA
BERT
SONG 2:
BERT
STALL HOLDERS
LIZZIE
JACK
STALL HOLDERS
JACK
BERT
JACK
DOT
STALL HOLDERS
DOT
HILDA
DOT
SONG 3:
DOT
ALL
DOT
ALL
DOT
ALL
DOT
ALL
STALL HOLDERS
(Group ‘A’)
STALL HOLDERS
(Group ‘B’)
BERT
JACK
STALL HOLDERS
(Group 'A')
STALL HOLDERS
(Group‘B’)
STALL HOLDERS
(Group ’A’)
STALL HOLDERS
(Group ‘B’)
STALL HOLDERS
(Group ‘A’)
STALL HOLDERS
(Group ‘B’)
JACK
STALL HOLDERS
(Group ‘A’)
STALL HOLDERS
(Group ‘B’)
A STREET MARKET IN 1851
Fresh veg! Best in the market!
(Loud distressing squawks as a child steals a live chicken) ‘ere he’s nicking me chickens! Come ‘ere you little toe rag! If I get my hands on you, I’ll ring your ruddy neck! Constable! Constable! How is it you can never find a copper when ya need one? (Frantically searching around) Stop him! Stop him! Somebody stop him.
You’ve got to ‘ave eyes in the back of your ‘ead Lizzie. That boy’s always stealing something. Needs putting over ‘is mother’s knee and given a good thrashing!
Times are gettin’ ‘ard Flora. That’s the second fing stolen today.
(Cynically) Wot? Caw, make a stuffed bird laugh. We’ll ‘ave to ‘ave a collection. Come on
let’s speak to the others. (Stallholders gather around LIZZIE, comforting her. Enter FLORENCE NIGHTINGALE, her sister PARTHE and their mother FANNY. Their maid JENNY follows behind)
Momma, you know how I hate coming to the market.
Stop fussing Parthe. We won’t be here for very long.
Don’t worry Parthe. No one is going to hurt you.
But I’m not in the best of health.
(Offering FLO an apple) Nice to see you Miss Nightingale. Buy some fresh fruit. Going very cheap.
'ow about a nice lace ‘andkerchief. Please buy something off a poor lady.
Come away Flo. Look at your hands. You don't know where all this stuff has been. This whole place smells horribly.
(Holding up a small posy of flowers to PARTHE) This would go well with your fancy dress
missus. (PARTHE pushes the flower seller away)
Leave us alone. Oh Momma, why did you bring us here?
Be quiet. You’re creating a scene.
Oh look! That woman touched my dress. It’s left a horrible dirty mark. I will surely catch some terrible illness.
I said be quiet! We had better go to the park before you embarrass us further. Flo, will you and Jenny kindly finish the shopping. Come along Parthe and stop fussing.
But Momma. I want to stay with...
I said come along.
(Exit FANNY and PARTHE)
It’s no good Jenny. Parthe can’t stand being parted from me for too long. You go and finish the shopping. I’d better catch up my Momma.
Yes ma’am.
(Exit FLO)
Hey Jenny. The Nightingales gone and left you to do all the shopping have they?
Yes. I’m afraid so.
‘ere. ‘ave you got any interesting news about them?
I most certainly have. Listen everyone. Gather round. Mistress Florence and her sister Parthe had a terrible argument the other night.
They are always arguing about sumfink. Parthe will be the death of Florence.
Yea, you’re right Hilda. You’d think Florence was a slave. She looks after that spoilt brat day and night.
Flo’s so fed up. Some say she’s near to committing suicide.
We heard this row all over the house. I’m sure Mistress Nightingale wants to leave home. After all she is thirty-one years old now. I overheard her say something about wanting to work in a hospital.
Me ‘usband finished up in one of them places. Said there was ‘ardly room to swing a cat and the place stunk like a sewer. Slimy things growin’ all over the walls, ‘e said.
What happened to ‘im then Agnes?
‘e smuggled in a bottle of gin. ‘e and the nurses drank too much. ‘e got the screamin’ ‘orrors and ran off into the night. Never came back and I’ve never seen ‘im since.
Probably thinkin’ about you Agnes. That’s why ‘e never came back!
(General laughter)
‘ere, don’t them Nightingales talk posh. Did you see the look on ‘er face when Dot touched 'er with ‘er ‘and. (Mimics PARTHE) “Oh look, that woman touched my dress. It’s left a terrible dirty mark. I will surely catch some terrible illness.”
(Over musical introduction) Worlds apart really, ain’t we!
DAUGHTER OF A RICH MAN
FLORENCE IS THE DAUGHTER OF A RICH MAN (RICH MAN)
SHE’S EXPECTED TO BEHAVE LIKE ALL THE UPPER CLASS
THEY’LL SMILE, WAVE, GIVE US WORK
ACKNOWLEDGE OUR EXISTENCE
BUT WHEN IT COMES TO JOINING IN
BE SURE THEY’LL KEEP THEIR DISTANCE
SHE BELONGS TO THEM AND NOT TO US
THEY’RE A LAW UNTO THEMSELVES DON’T RECOGNISE US
WE’RE WORLDS APART
OUR LIVES BEAT WITH DIFF’RENT HEARTS
AND SHE BELONGS TO THEM
AND NOT TO US (OH, NO)
WON’T RECOGNISE US (WHAT A SHAME)
NO TIME FOR US
(Stallholder mimics Sir Walter Raleigh laying down cloak for Queen Elizabeth I)
Call that a coat? (Derisory) Young man, I have no intention of walking on a pile of rags!
FLORENCE IS THE DAUGHTER OF A RICH MAN (RICH MAN)
SHE’LL NEVER GRACE THE TABLE OF THE WORKING CLASS
THEY WINE, DINE, TOUR THE WORLD
BUT HIDE BEHIND DISGUISES
THEY’RE MONEY MAD AND CHERISHED GREED IS ALL THAT GOD DESPISES
SHE BELONGS TO THEM AND NOT TO US... etc. (Repeat)
Market day. Enter traders setting up their stalls. People are buying goods. Children play games.
This is the first page
GO TO:
ACT ONE
ACT TWO
Song 2: DAUGHTER OF A RICH MAN
Song 4: WHO AM I? and DREAM DANCE SEQUENCE
Music 6: PRELUDE TO THE CRIMEAN WAR
Song 7: ALL THOSE WOUNDED SOLDIERS
Song 10: WE'RE ON OUR WAY AT LAST
Song 11: WE'RE TRAVELLING GENTLEMEN
Song 15: A CLASSIC CASE OF CLASHING PERSONALITIES
Song 17: WAR IS OVER/DAUGHTER OF A RICHMAN (Reprise)