
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
CHARACTERS IN EACH SCENE
CHARACTERS IN EACH SCENE
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music

ACT TWO
SCENE 10: A HOSPITAL WARD
(A short while later. Nurses and doctors are moving among the soldiers tending to their injuries etc. Enter DR HALL)
DR HALL
RUTH
DR HALL
RUTH
DR HALL
RUTH
DR HALL
SALLY
DR HALL
SALLY
DR HALL
MEG
MARGE
DR HALL
SALLY
DR HALL
SONG 15:
FLO
DR HALL
FLO
NURSES & SOLDIERS
SOLDIERS
DR HALL
FLO
DR HALL
NURSES & SOLDIERS
SOLDIERS
NURSES
SOLDIERS & DOCTORS
NURSES
FLO
DR HALL
FLO
DR HALL
FLO
DR HALL
FLO
SOLDIERS
ALL
DR HALL
FLO
DR HALL
(Pointing, barks) You!
(Rather disrespectfully, points at herself) Me?
Yes, you. Come here. Don’t you know who I am?
Ain’t got the foggiest to be ‘onest.
I am Doctor Hall, Chief of the Medical Staff. Whenever I enter a ward, I expect people to drop what they are doing and spring to attention!
Beggin’ your pardon sir, but there’re many sick men ‘ere who need urgent treatment.
They’ll just have to wait then, won‘t they! Who’s in charge of the nurses here?
Miss Nightingale sir.
Aah... excellent. The very person I have come to see. Where is she?
She ‘eard you was ‘ere and ‘as gone lookin’ for ya (Pause) sir.
Good... so it shouldn’t be long before she discovers where I am. I’ll wait. (Looks
around) What exactly are you women doing?
‘Elpin’ to feed the men sir.
This man ‘ad ‘is fingers cut off... can’t ‘old a spoon.
Do you cater for their every whim? How is this soldier possibly going to learn to be a man again if you mollycoddle him as a mother would a baby? (Storms across the ward) This man here. He’s behaving as if he’s in some sort of stupor. What’s wrong with him?
‘e’s just come off the operatin’ table and is still affected by the anesthetic.
(DR HALL Bellows) Anaesthetic!! I thought I gave strict instructions that chloroform was never to be used! The smart use of a knife is a powerful stimulant and it is much better to hear a man shout and scream during an operation than to see him sink silently to his grave! (Enter FLO in an uncompromising mood)
A CLASSIC CASE OF CLASHING PERSONALITIES
DOCTOR HALL, I’D LIKE A WORD
THIS SITUATION’S HOPELESS
HOW AM I EXPECTED TO WORK
WITH YOUR BARBARIC APPROACH TO THE MEN
YOU DESTROY THE GOODWILL I’VE ACHIEVED
MY GIRL, YOU’RE NAIVE
TOO SOFT FOR BELIEF
THE MEN RESPECT STRENGTH
THEY WISH TO BE TREATED LIKE MEN... NOT BOYS
WELL, I WISH YOU’D REVISE YOUR ATTITUDE
YOUR PAGAN APPROACH IS OBSCENE
THIS IS A CLASSIC CASE OF CLASHING PERSONALITIES
TWO STRONG HEADS WHO DISAGREE
ON ABSOLUTELY EV’RYTHING
THE HAWK IS UP AGAINST THE DOVE
THE RUTHLESS WAY IS FACE TO FACE WITH CARE AND LOVE
THIS IS A PRIZE EXAMPLE OF DIVERGING STYLES
AND WE ALL AGREE
WE KNOW WITH WHOM WE’D WANT TO TRUST OUT LIVES
MISS NIGHTINGALE WINS BY A MILE
WE PREFER ANAESTHETIC TO HIS COLD, SHARP KNIVES
IT’S NO GOOD THEM SOUNDING FLIPPANT
MY RECORD SPEAKS FOR ITSELF
I’M A MASTER OF MY PROFESSION
MY SKILL IS SECOND TO NONE
I’M A SOUGHT AFTER SURGEON IN WAR
I CANNOT AGREE
I WILL NOT AGREE
YOUR METHODS ARE CRUDE
THEY’RE OLD FASHIONED AND WELL OUT OF DATE!
THEY’RE OBSOLETE!
YOU WILL NOT CHASTISE NOR INSULT ME
HEAD OFFICE MUST HEAR ABOUT THIS
THIS IS A CLASSIC CASE OF CLASHING PERSONALITIES
TWO STRONG HEADS WHO DISAGREE
ON ABSOLUTELY EV’RYTHING
THE HAWK IS UP AGAINST THE DOVE
THE RUTHLESS WAY IS FACE TO FACE WITH CARE AND LOVE
THIS IS A PRIZE EXAMPLE OF DIVERGING STYLES
AND WE ALL AGREE
WE KNOW WITH WHOM WE’D WANT TO TRUST OUR LIVES
MISS NIGHTINGALE WINS BY A MILE
WE PREFER ANAESTHETIC TO HIS COLD, SHARP KNIVES
WILL SHE CONVINCE THAT HE’S WRONG?
WE DOUBT IT. HE’S A BIT HEADSTRONG
YOU'RE RIGHT!
LOOK AT US! WE’RE AT EACH OTHER’S THROATS
YES, I KNOW. BUT I AM RIGHT YOU MUST AGREE
NO, I DON’T. I DISAGREE WITH EV’RYTHING YOU SAY TO ME
YOU’RE A POMPOUS FOOL I DISRESPECT
DAMN YOU, WOMAN! WHO DO YOU THINK YOU ARE?
NOW! NOW! SIR! THAT IS NO WAY TO TREAT A LADY
GRRR... I’VE HAD ENOUGH, MAKE SURE YOU NEVER CROSS MY PATH
THAT! I FIRMLY GUARANTEE HERE AND NOW
WE PREFER FLORENCE NIGHTINGALE’S STYLE
WE’D TRUST HER WITH OUR LIVES
(Song ends)
The army has no place for civilians.
As long as men like you exist Doctor Hall, I shall strive tirelessly to see my work done. You can put in my way as many obstacles as you wish. I will be visiting other hospitals to make the necessary arrangements and I will not rest until every soldier has the best possible care and attention.
You madam are insubordinate and your nurses are disobedient and inefficient. All you are achieving is the organised destruction of the discipline of the men. The Authorities will hear of your meddling. Mark my words. I bid you good day.
(DR HALL storms off, slamming the door. Scene change Music 15a)
GO TO:
ACT ONE
ACT TWO
Song 2: DAUGHTER OF A RICH MAN
Song 4: WHO AM I? and DREAM DANCE SEQUENCE
Music 6: PRELUDE TO THE CRIMEAN WAR
Song 7: ALL THOSE WOUNDED SOLDIERS
Song 10: WE'RE ON OUR WAY AT LAST
Song 11: WE'RE TRAVELLING GENTLEMEN
Song 15: A CLASSIC CASE OF CLASHING PERSONALITIES
Song 17: WAR IS OVER/DAUGHTER OF A RICHMAN (Reprise)