
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
CHARACTERS IN EACH SCENE
CHARACTERS IN EACH SCENE
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music

ACT TWO
SCENE 13: A STREET MARKET IN 1856
(Scene change Music 16a. Market day in July 1856. People are buying goods. There is an air of happiness)
HELEN
JACK
HELEN
JACK
HELEN
JACK
HELEN
JACK
HELEN
JACK
HELEN
JACK
CHARLOTTE
JACK
CHARLOTTE
HELEN
CHARLOTTE
HELEN
SONG 17:
NEWSPAPER
SELLER
CROWD
BERT
CROWD
BERT
CROWD
BERT
FLORA
PARTHE
FANNY
PARTHE
FANNY
PARTHE
FANNY
FLO
FANNY
FLO
PARTHE
FLO
PARTHE
FLO
FANNY
FLO
FANNY
FLO
NORA
FLO
DOT
FLO
DOT
LIZZIE
FLO
LIZZIE
SONG 18:
SOLO SOLDIER
SOLO NURSE
FULL CAST
TENORS (Sing)
FULL CAST
(Enter HELEN) Excuse me.
Yes misses.
I came here a few months ago and your stall was full of Florence Nightingale souvenirs. Have they all gone?
Yeah madam, I’m rather afraid they ‘ave. We ‘ad loads brought in when she was proper poorly but since she recovered, they all went over night, like. The ‘ole country’s gone bloomin’ berserk... cleaned me out of everythin’... not that I’m complainin’ or anythin’.
It was an extremely worrying time. Her illness seems to have been uppermost in a lot of peoples’ minds.
Yeah... me misses was prayin’ regular.
(Making to leave) Oh well, that’s a shame. My niece will be disappointed. Her birthday is next week and she especially wanted a little something to remind her of Miss Nightingale. My husband met her personally, you know.
(Extremely impressed) Goodness gracious!
He was injured out of the war and Florence Nightingale helped to look after him whilst
arrangements were made to transport him home.
(Even more impressed) Thass somethin’ to tell the grandkids, ain’t it! (Slight pause as he dashes to the back of his stall) ‘ang on a mo... think I might of got somethin’ to oblige. (Holds up a small figurine in each hand) Some says the likeness is very good!
Oh, I say. That’s jolly decent of you.
Well... I was savin’ ‘um for the misses, but I s’pect I’ll be able to lay me ‘ands on another load shortly.
(Enter CHARLOTTE, HELEN’S friend)
(Over HELEN’S shoulder as she pays for the figurines). Gosh... they’re marvellous. I’d like one of those. I’ve looked everywhere but can’t find a thing.
(Handing HELEN her change) Last two I’m afraid, madam. Pop back tomorra. You never know your luck!
(Pulling away from the stall with HELEN) Yes I might just do that. I was on my way to Madam Tussauds Helen. They’ve created a new scene of Miss Nightingale caring for the sick and injured. Everyone’s going to see it. They say one has to queue for absolutely hours to get in.
Would you mind awfully if I came along too?
Please do. Not at all. Show me those figurines again.
(Admiring the figurines as they walk off) I’m told they’re a perfect likeness. (They disappear into the crowd. Enter a NEWSPAPER SELLER calling over musical introduction)
WAR IS OVER/DAUGHTER OF A RICH MAN (Reprise)
Extra! Extra! War’s over. (Crowd cheer)
Read all about it. Troops comin’ ’ome. War in Turkey’s over...
Extra!... Crimea war over... Troops comin’ ‘ome... War in Turkey’s over...
Extra! Crimea war over. (Repeat)
HOORAY, THE WAR IS OVER, THE TROOPS ARE ON THEIR WAY
SOUND OUT THOSE CHURCH BELLS, LET’S CELEBRATE TODAY
NO MORE FEAR AND SADNESS, IT’S A HAP-HAP-HAPPY DAY
THIS IS MARV’LLOUS NEWS. WHAT DO THE PAPERS HAVE TO SAY?
(Brief musical link into reprise of ‘Daughter of a Rich Man’)
FLO MAY BE THE DAUGHTER OF A RICH MAN
(Shout) Rich man!
BUT SHE HAS PROVED THAT SHE IS ONE OF US AS WELL
SHE KNUCKLED DOWN ROLLED UP HER SLEEVES
SHE CAME TO OUR ASSISTANCE
WITH PERFECT GRACE AND CHARM
SHE ACKNOWLEDGED OUR EXISTENCE
SHE BELONGS TO US AS WELL AS TO THEM
WE FEEL PROUD SHE’S ONE OF US, WE WORSHIP HER NAME
WE’RE NOT WORLDS APART
OUR LIVES BEAT WITH ONE BIG HEART. YEAH!
FLORENCE IS A HEROINE
SHE SAVED MEN’S LIVES
SHE RESCUED OUR MEN, SHE HELPED THEM SURVIVE
(An instrumental version of the ‘reprise’ from Letter ‘B’ continues until FLO enters)
(FLORA rushes in breathless and addresses the crowd) A big ship ‘as just arrived at the ‘arbour. There’s a rumour flying ‘round the docks that it’s the one bringing Miss Nightingale ‘ome. There’s people pourin’ down there by the fa’sand. (To the crowd, as FLORA exits) You comin’ or what?
(The noise of the crowd cheering continues in the background as PARTHE and FANNY enter, slightly panicked as they rush to meet FLO at the harbour)
We must hurry if we are going to be on time to meet Flo at the harbour.
Everything is happening so fast Parthe. Gosh, I’ve completely forgotten to pick up the flowers.
If we don’t get a move on, we’ll miss everything.
(Rushing around in a panic) Don’t panic me child.
We‘ll have to leave the flowers if we‘re to get to the port on time.
But Flo does so love them and I wanted her home coming to be perfect.
(The music stops. Enter FLO unseen by PARTHE and FANNY. A chilled stillness and silence engulfs the stage, as a lone figure emerges from the shadows)
Hello Momma.
(Turning round, in muted pauses) Flo? It can’t be. Flo, is that really you?
Yes... it’s me.
Flo!! (She rushes to FLO and hugs her) We were just on our way to meet you. Everyone’s at the harbour.
I was told they might be. I arrived by another route this morning. I didn’t want to have to face the crowds.
But you’re so famous, everyone will want to meet you. You will not be able to keep your arrival secret for long. You cannot hide forever.
Oh well. Let them catch up with me. How have you both been whilst I have been away?
Extremely busy. We’ve attended many meetings in your honour.
I’m just glad to have avoided the publicity.
I think the whole country must have contributed to the Nightingale Fund.
Excellent! With that money I will be able to realise one of my dreams by opening an institute for the training of nurses.
(Enter NORA, DOT, LIZZIE and HILDA, the original stallholders, as the strident basses pound 'Song 18: Saluting Florence Nightingale' musical introductory bars)
Miss Nightingale! You’ve arrived. Welcome back ma’am.
(Exit LIZZIE in an excited dash)
Nora. How nice to see you.
I’ll ‘ave to let everyone know you’re ‘ere. Another ten minutes and I’d ‘ave left for the docks wit all the others. I can’t believe it’s really you... T’as been such a long time.
It seems as if I was here only yesterday. Nothing appears to have changed.
Oh my... To think that even Her Majesty ‘as ‘eard all about your good work Miss Nightingale. I told me fam’ly where you lives.
(Enter a breathless but excited LIZZIE as we hear a crowd coming)
Oh Miss Nightingale. I really can’t believe you’m ‘ome.
It sounds as if you’ve told everybody Lizzie.
You’m worth it though ma’am. I’m sure they'll want to say a very big “Thank you”. There’s some of the soldiers ‘ere in person too... they you sent ‘ome to recover.
(Enter the crowd, waving banners etc. during the singing of the song)
SALUTING FLORENCE NIGHTINGALE - The Finale
AT LEAST ONCE IN EV’RYBODY’S LIFETIME
THERE COMES ALONG ONE PERSON
SO OUTSTANDING THAT THEY SHINE ABOVE ALL OTHERS
AND IT’S BEEN OUR PRIVILEGE
TO WITNESS THE RISE OF SUCH A CARING LADY
YOU HAVE REVOLUTIONISED, SINGLE HANDED
THE OFFICIAL ATTITUDE TOWARDS THE SICK AND THE MAIMED
AND FOR THAT WE ALL SAY
WE ARE ETERNALLY GRATEFUL
TO THE LADY WITH THE LAMP, WHO HAS
PUT THE LIVES OF OTHERS WELL ABOVE HER OWN, WHO HAS
WORKED FOR HOURS AND HOURS
WITHOUT A SINGLE SELFISH THOUGHT
WE ALL SAY, LONG LIVE THE LADY WITH THE SOOTHING LAMP
YOU HAVE FOUGHT AUTHORITY AGAINST APPALLING ODDS
YOU HAVE SUFFERED OUR DISEASES AND OTHER ACTS OF GOD
WHAT CAN WE SAY?
THERE AREN’T ENOUGH WORDS TO SAY THANK YOU
WE SALUTE YOU, FLORENCE NIGHTINGALE
WE ALL OWE YOU ONE HUGE DEBT OF GRATITUDE
WE LOVE THE LADY WITH THE LAMP
NO TIME NOR TIDE WILL FADE YOUR NAME
WE’LL REMEMBER YOU, FLORENCE NIGHTINGALE
YOUR NAME WILL FIRMLY BE ENGRAVED IN HISTORY
WE STAND UP FOR THE LADY OF THE LAMP
AND OUR SONS OF SONS WILL DO THE SAME
OUR FUTURE WELFARE’S BEEN SECURED
THERE’LL BE NO SQUALID MEDICAL CARE
AND WE ALL OWE IT TO THIS LADY
WITHOUT HER THERE WOULD STILL BE NOT MUCH HOPE FOR US
ONCE IN EV’RYBODY’S LIFETIME
THERE COMES ALONG ONE PERSON
SO OUTSTANDING THAT THEY SHINE ABOVE ALL OTHERS
AND IT’S BEEN OUR PRIVILEGE
TO WITNESS THE RISE OF SUCH A CARING LADY
YOU HAVE REVOLUTIONISED, SINGLE HANDED
THE OFFICIAL ATTITUDE TOWARDS THE SICK AND THE MAIMED
AND FOR THAT WE ALL SAY
WE ARE ETERNALLY GRATEFUL
YES, MA’AM, WE ARE VERY GRATEFUL
ONCE IN EV’RYBODY’S LIFETIME
THERE COMES ALONG ONE PERSON
SO OUTSTANDING THAT THEY SHINE ABOVE ALL OTHERS
AND IT’S BEEN OUR PRIVILEGE
TO WITNESS THE RISE OF SUCH A CARING LADY
YOU HAVE REVOLUTIONISED, SINGLE HANDED
THE OFFICIAL ATTITUDE TOWARDS THE SICK AND THE MAIMED
AND FOR THAT WE ALL SAY
WE ARE ETERNALLY GRATEFUL
TO THE LADY OF THE LAMP, WHO HAS
PUT THE LIVES OF OTHERS WELL ABOVE HER OWN, WHO HAS
WORKED FOR HOURS AND HOURS
WITHOUT A SINGLE SELFISH THOUGHT
WE ALL SAY, LONG LIVE THE LADY WITH THE SOOTHING LAMP
YOU HAVE FOUGHT AUTHORITY AGAINST APPALLING ODDS
YOU HAVE SUFFERED OUR DISEASES AND OTHER ACTS OF GOD
WHAT CAN WE SAY?
THERE AREN’T ENOUGH WORDS TO SAY THANK YOU
Whilst TREBLES sing counterpoint as:
WE SALUTE YOU, FLORENCE NIGHTINGALE
WE ALL OWE YOU ONE HUGE DEBT OF GRATITUDE
WE LOVE THE LADY WITH THE LAMP
NO TIME NOR TIDE WILL FADE YOUR NAME
WE’LL REMEMBER YOU, FLORENCE NIGHTINGALE
YOUR NAME WILL FIRMLY BE ENGRAVED IN HISTORY
WE STAND UP FOR THE LADY OF THE LAMP
AND OUR SONS OF SONS WILL DO THE SAME
THANK YOU SO VERY MUCH, MISS NIGHTINGALE
THANK YOU, FLORENCE NIGHTINGALE
(Song ends)
THE END
MUSIC 19: DON'T LOSE HEART INSTRUMENTAL PLAYOUT
DIRECTOR'S NOTES
For those with projection facilities it would be effective to project Florence Nightingale’s quotes and/or information from the Crimean War during the singing of, ‘Saluting Florence Nightingale' and/or information from the Crimean War.
Finish with the youthful image of Florence Nightingale, as the lights fade.
If you have the facilities, to further enhance the emotive end to the musical, during the closing bars of the song, Florence walks lit behind a black gauze picture frame and, holding an ‘exact’ pose of
the projected photo, ‘magically’ cross fade the rear lighting on the actress with a front projected photo of an original black and white photo of the youthful image of Florence Nightingale
during the last line of the song. Fade out the scene and briefly leave the
audience focussed on the projected image in the picture frame.
This is the last page
GO TO:
ACT ONE
ACT TWO
Song 2: DAUGHTER OF A RICH MAN
Song 4: WHO AM I? and DREAM DANCE SEQUENCE
Music 6: PRELUDE TO THE CRIMEAN WAR
Song 7: ALL THOSE WOUNDED SOLDIERS
Song 10: WE'RE ON OUR WAY AT LAST
Song 11: WE'RE TRAVELLING GENTLEMEN
Song 15: A CLASSIC CASE OF CLASHING PERSONALITIES
Song 17: WAR IS OVER/DAUGHTER OF A RICHMAN (Reprise)