
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
CHARACTERS IN EACH SCENE
CHARACTERS IN EACH SCENE
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music
Page updated: 3 March 2022 © Roger Holman Music

ACT ONE
SCENE 6: A FIELD HOSPITAL AT THE CRIMEAN WAR
MUSIC 6: PRELUDE TO THE CRIMEAN WAR
(A short reprise of the first part of the 'Overture' thunders out on to a darkened scene with a cacophony of the deafening instruments of war, muskets, rifle and canon, blaring above the drumming. The wind howls loudly, accompanied by the sound of heavy rain and the occasional flash of lightning and clap of thunder.
The scene takes place inside a derelict barn. Sick and wounded soldiers lie, moaning and groaning everywhere, whilst an army surgeon, accompanied by a couple of less than desirable looking ‘soldiers’ wrestles to amputate the leg of a wounded soldier, laying on a make shift trestle table.
The din of the music and the sound effects continue as a loud backdrop throughout Scene 6)
SURGEON
1st SOLDIER
SURGEON
1st SOLDIER
SURGEON
SURGEON
2nd SOLDIER
SURGEON
2nd SOLDIER
SURGEON
2nd SOLDIER
SURGEON
1st SOLDIER
SURGEON
Well give him some more brandy. He’s too clear headed.
(Holding up an empty bottle) We ain’t got any sir. We ran out hours ago. This poor fella is as sober and as understandin’ as the rest of us.
Rats! Well, (To one soldier) you pin his leg down with the full weight of your body and you (To the other soldier) lean on his chest with all your might and I should be able to finish the job with one clean cut swipe of my blade.
(The two soldiers do as they are asked and the SURGEON, with his back to the audience, raises his blade and brings it down with a forceful blow on to the injured soldier’s leg. The wounded soldier lets out a piercing, prolonged scream with outstretched arms and clenched fists, which fall limp as he faints. The two soldiers abruptly look away with contorted faces at the moment of impact)
Quick! Put a tourniquet around his leg to control the bleeding.
Wass that?
Grab that belt off that dead soldier over there.
Any particular soldier. They’m nearly all dead!
(In despair) Just use your loaf man.
(The soldier kicks and prods a couple of soldiers lying on the floor before bending over and removing the belt from a body. Hands it to the SURGEON who straps it around the stump)
’is well past it! ‘Ow long’s ‘ee bin lying there fer?
I thought the Orderlies were supposed to be dumping the dead outside!
They wuz sir. But two of ‘um’s bin struck down wiv the fever. They’m’s as dead as most of these poor blighters ‘ere.
(Referring to the amputee) Remove this man. (Then bellows) Next!! (Blackout)
(Stressed and very loudly) For goodness sake hold him firm man, or else he’ll lose more than
his leg!
‘Ee’s strugglin’ more than most sir
GO TO:
ACT ONE
ACT TWO
Song 2: DAUGHTER OF A RICH MAN
Song 4: WHO AM I? and DREAM DANCE SEQUENCE
Music 6: PRELUDE TO THE CRIMEAN WAR
Song 7: ALL THOSE WOUNDED SOLDIERS
Song 10: WE'RE ON OUR WAY AT LAST
Song 11: WE'RE TRAVELLING GENTLEMEN
Song 15: A CLASSIC CASE OF CLASHING PERSONALITIES
Song 17: WAR IS OVER/DAUGHTER OF A RICHMAN (Reprise)